Adversarial Semi-Supervised Audio Source Separation applied to Singing Voice Extraction

The state of the art in music source separation employs neural networks trained in a supervised fashion on multi-track databases to estimate the sources from a given mixture. With only few datasets available, often extensive data augmentation is used to combat overfitting. Mixing random tracks, however, can even reduce separation performance as instruments in real music are strongly correlated. The key concept in our approach is that source estimates of an optimal separator should be indistinguishable from real source signals. Based on this idea, we drive the separator towards outputs deemed as realistic by discriminator networks that are trained to tell apart real from separator samples. This way, we can also use unpaired source and mixture recordings without the drawbacks of creating unrealistic music mixtures. Our framework is widely applicable as it does not assume a specific network architecture or number of sources. To our knowledge, this is the first adoption of adversarial training for music source separation. In a prototype experiment for singing voice separation, separation performance increases with our approach compared to purely supervised training.Comment: 5 pages, 2 figures, 1 table. Final version of manuscript accepted for 2018 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). Implementation available at https://github.com/f90/AdversarialAudioSeparatio

Contrastive Learning-Based Audio to Lyrics Alignment for Multiple Languages

Lyrics alignment gained considerable attention in recent years. State-of-the-art systems either re-use established speech recognition toolkits, or design end-to-end solutions involving a Connectionist Temporal Classification (CTC) loss. However, both approaches suffer from specific weaknesses: toolkits are known for their complexity, and CTC systems use a loss designed for transcription which can limit alignment accuracy. In this paper, we use instead a contrastive learning procedure that derives cross-modal embeddings linking the audio and text domains. This way, we obtain a novel system that is simple to train end-to-end, can make use of weakly annotated training data, jointly learns a powerful text model, and is tailored to alignment. The system is not only the first to yield an average absolute error below 0.2 seconds on the standard Jamendo dataset but it is also robust to other languages, even when trained on English data only. Finally, we release word-level alignments for the JamendoLyrics Multi-Lang dataset.Comment: 5 pages, accepted at the International Conference on Acoustics, Speech, and Signal Processing (ICASSP) 202

Deep Learning for Music Information Retrieval in Limited Data Scenarios.

PhD ThesisWhile deep learning (DL) models have achieved impressive results in settings where large amounts of annotated training data are available, over tting often degrades performance when data is more limited. To improve the generalisation of DL models, we investigate \data-driven priors" that exploit additional unlabelled data or labelled data from related tasks. Unlike techniques such as data augmentation, these priors are applicable across a range of machine listening tasks, since their design does not rely on problem-speci c knowledge. We rst consider scenarios in which parts of samples can be missing, aiming to make more datasets available for model training. In an initial study focusing on audio source separation (ASS), we exploit additionally available unlabelled music and solo source recordings by using generative adversarial networks (GANs), resulting in higher separation quality. We then present a fully adversarial framework for learning generative models with missing data. Our discriminator consists of separately trainable components that can be combined to train the generator with the same objective as in the original GAN framework. We apply our framework to image generation, image segmentation and ASS, demonstrating superior performance compared to the original GAN. To improve performance on any given MIR task, we also aim to leverage datasets which are annotated for similar tasks. We use multi-task learning (MTL) to perform singing voice detection and singing voice separation with one model, improving performance on both tasks. Furthermore, we employ meta-learning on a diverse collection of ten MIR tasks to nd a weight initialisation for a \universal MIR model" so that training the model on any MIR task with this initialisation quickly leads to good performance. Since our data-driven priors encode knowledge shared across tasks and datasets, they are suited for high-dimensional, end-to-end models, instead of small models relying on task-speci c feature engineering, such as xed spectrogram representations of audio commonly used in machine listening. To this end, we propose \Wave-U-Net", an adaptation of the U-Net, which can perform ASS directly on the raw waveform while performing favourably to its spectrogrambased counterpart. Finally, we derive \Seq-U-Net" as a causal variant of Wave- U-Net, which performs comparably to Wavenet and Temporal Convolutional Network (TCN) on a variety of sequence modelling tasks, while being more computationally e cient.